#and seeing all the characters in advance and stuff

[bulgariansumo]

I see a lot of people in the tags feeling like they can't share their original work until it's complete and published since there's no place like AO3 for original stuff. But there are! Here's a few of the more popular options.

(Note: Traditional publishers tend to not want stories posted anywhere before they do, so keep that in mind.)

Tapas

Tapas is a most known for its webcomics, but it allows webnovels now, too. The most popular types of stories right now are Romance Fantasy (specifically Isekai Regency Romances), Action Fantasy, and BL.

There are slightly different genres available for webcomics, but for webnovels, the genres are: Romance, Romance Fantasy, Fantasy, Action Fantasy, Action, BL, GL, LGBTQ+, Drama, Mystery, Thriller/Horror, Science Fiction, Comedy, and Non-fiction. Stories are allowed to have three genres, but the first one determines where it shows up in searches and rankings. For example, my story is LGBTQ+, Science Fiction, and Slice of Life, but it only shows up in the LGBTQ+ section.

You can tag your story anything you want. Individual chapters are taggable, but that's just for fun, it does nothing for searchability.

Tapas emphasizes bite-sized content, so novel chapters are only able to be up to 15,000 characters (a little over 2,000 words) in length. Users can like and comment on each.

Images go a long way on Tapas, even if you're writing a webnovel. On your story's page, there's space for a banner, the cover (of course), and every chapter can contain a different thumbnail picture. Here's what mine looks like:

Personally, I like to switch the thumbnails with each full mini-story in my novel. I know someone who switches thumbnails based on PoV character, and I've seen people keep the same thumbnail throughout their whole story. It all depends on what you want!

Tapas has a full ban on AI-generated images and text. Mature content is allowed so long as it is appropriately tagged. They're a little stricter on images than text. As long as you're not writing porn without plot, hate speech, or something illegal, you can write pretty much whatever.

There is a Tapas Forums and a Tapas Discord. Personally, I find it easier to chime in and talk shop in the forums. However, the Discord is where Tapas announces contests and offers feature opportunities.

Royal Road

Royal Road is a website that caters to fantasy, sci-fi, and other speculative novels, with a current emphasis on LitRPG Isekai. But you can post other stuff there!

The site has a list of preset genres and tags. You can select up to four genres and however many of the tags you want. Here they are. The images are a little blurry without zooming in, but I included alt text.

If you hover your mouse over the question marks beside each label, it'll show you its definition just in case you're like me and don't know what some of these tags mean.

Your story goes through a 24-hour approval process, and if the moderator decides that it's fit for the site, it goes through.

Just as a heads up, this site has a reputation for being very strict about sexual content, even when it's appropriately tagged. The FAQ doesn't mention there being a limit, but among authors, it's understood that only 10-15% of the words (or chapters??) in a story can contain explicit sexual content. Sometimes less. So be aware of that.

Instead of likes or kudos, stories have the option to be reviewed on a 5-star system. These reviews are either be a short overview of your opinions on a story, or a more in-depth, "Advanced" review rating Style, Story, Characters, and Grammar separately. This helps (or hinders) a story's visibility. However, if you're friends, family, or live in the same house as the author, you MUST state that in the review, or the author could get into trouble.

Readers can comment regularly, but there's also an option to make it so that they can select passages to point out grammar mistakes and things like that.

You can insert images in chapters, but only if they're hosted on a different site, like Imgur or here on Tumblr. You can also put a poll in each chapter.

Royal Road allows AI-generated stuff on its site. There's an option to mark stories as being AI-generated or AI-assisted (using something like Grammarly to spellcheck or clean up wording). The site does have an in-depth search system that allows you to exclude stories tagged this way. However, there's still a lot of stories that use AI covers.

The site also has forums with a bunch of different sections. There's one specifically dedicated to swapping story reviews, but some people there will read, comment, and review on other people's stories just for fun.

Wattpad

Wattpad is probably the most well-known original writing platform. Its most popular story type seems to be any romance involving a rich and/or powerful guy. Sometimes he's a werewolf.

Its list of genres includes: Action, Adventure, ChickLit, Fanfiction, Fantasy, General Fiction, Historical Fiction, Horror, Humor, Mystery/Thriller, Non-fiction, Paranormal, Poetry, Random, Romance, Science Fiction, Short Story, Spiritual, Teen Fiction, Vampire, and Werewolf. You can only pick one of these per story, but like Tapas, you can also tag it anything you want. Each story is allowed 25 tags.

Pictures can be added to chapters, along with a picture, gif, or video above each chapter. Chapters can be commented on and liked. Wattpad's most standout feature is the ability to do in-line comments, where you're able to comment on specific lines or paragraphs. Also, you can see a chart breakdown of your readers' ages and genders.

Wattpad allows AI covers and AI text, and unlike Royal Road, there's no way to filter it out. The site used to have forums but got rid of them mid-2020. It also got rid of DMs earlier this year.

Archive of Our Own

The average person reading this knows more about Archive of Our Own than I do, so I'm just gonna say: AO3 allows original works so long as they're "fannish in nature," otherwise, they'd prefer you not post them there. Original works are tagged under the Original Works fandom.

General Tips

Do not under any circumstances join Webnovel. It's well known for predatory business practices.

If anyone DMs you on one of these sites wanting to sign you onto another, ignore it. It's probably sketchy.

Read other people's stories if you have the time. There's a chance they might like yours too.

If you don't know where to start finding other stories to read, participate in Read for Reads (Review Swaps on Royal Road). Not every story is gonna click with you, but I've found some of the coolest hidden gems from those.

Forums on novel websites are usually full of other creators. Advertising might get you a new reader or two, but not many.

Some of these sites (especially Royal Road) fall victim to web scrapers posting stories to another site. The good news is that they also copy usernames, so the authors still get credit. Also the views and likes on the other sites are often made up. No one really visits these them except for the authors who found out they've been stolen from. I don't really know what the end goal is... I think Tapas might the safest from this, since you can't copy-paste text from there, but that's just a hunch.

Was wishing there was a positivity post for original fiction writers since I see so many about how fanfic writers are doing so much for their communities even when they're not actively writing, and then I thought:

Be the change you want to see in the world.

So this is a positivity post for the writers out here who are working very hard on stories with no established community. Who can't talk about their blorbos and plot lines and brainstorming to anyone and expect them to know what any of it means. Who don't have much to share publicly, but are hoping they will one day.

You're doing a lot of hard work, and I recognize and appreciate what you're putting into the world, even when you're resting.

[darkficsyouneveraskedfor]

God, Rest Ye Merry

Warnings: kidnap and other dark elements. Not all kinks or triggers are tagged. My username actually says you never asked for any of this.

Summary: You're sick and you don't think things can get much worse until they do.

Character: God the Bounty Hunter

Day Twenty-Four of the December Daze Challenge.

Prompt -i'm too sick to go anywhere!

Note: As usual, I would appreciate any and all feedback. I’m happy to once more go on this adventure with all of you! Thank you in advance for your comments and for reblogging.

It’s the happiest time of year and you couldn’t be more miserable. Your head is pounding, your nose is stuff, lips cracked from having to breathe through your mouth, and you just want to go to sleep and never wake up. Still, your body is too addled with the flu to allow you that peace. 

Watching the snow through the window, you dig deep down to find the strength to go out. You shudder as you hook a mask over your ears and bend the wire across your nose. As much as you’d love to share the cheer, you’re not that type of person. 

You take your reusable bag and your keys and set out. You pull your hood up as you emerge into the white swirl. The fur around the edge blocks out your peripherals and before you is an endless sprawl, untouched by shovel or plow. It isn’t far to the pharmacy; across the street and down the next corner. 

You trudge through towards the prize of more cough drops and possibly some vitamin C. You’ve gone through most of your supplies, not having bothered to replenish since the last time you had a cold. You’ve been lucky for so long that it has to be absolutely horrid this time. 

You kick through the drifts. The snow is getting deeper by the minute. Some might relish the festive fall but you’re not into it. Thankfully, you’re staying in for the holidays. Not that you have much choice with this chesty cough. 

The snow dampens the sound and you slow as you come in sight of the pharmacy. The silence is eerily still despite the winds sweeping the flakes over the blanketed ground. You dust the snow from your hood and pivot to see around you. You’re the only one desperate enough to be out on Christmas Eve, aside from the poor retail employees sentenced to work in purgatory for those last-minute sales. 

You press on and enter the pharmacy with the jangle of the bell above. You do your best to kick the snow off before you cross the threshold. You pass the shelves of Hallmark cards and wrapping paper and pull your hood down. You read the hanging signs of the aisle and drag your treads towards the cough and cold section. 

As you turn down that aisle, the bell on the door rings again. Strange, you didn’t see anyone on the street. It could be someone who works down the next street or someone brave enough to drive in this. You stop before the shelves of cough drops and get the extra menthol. You might try the vapour rub too. It wouldn’t be a bad idea to get some electrolytes too. 

You spend a bit more than you should on your haul but at this point, you’d sell yourself for some relief. You bring it all to the counter as another pair of footsteps softly trace the rows behind you. You pay and the girl behind the till puts it all in a paper bag. You choke back a cough and thank her. 

You pull your hood up in expectation of your delve back into the elements and hug the bag to your chest. Your head slumps as the short walk back seems a Tolkien-ish trek in your condition. You push through the door with your shoulder and slow as you step into the calf-deep downfall. 

You get about halfway down the street. You’re panting as your legs ache and your chest thrums. You look ahead of you as the soft crush of snow comes from behind you. You blink as your head pulses and you turn slowly as you try to see past your furry hood. 

Not fast enough. The snow cushions your fall as you’re thrown into the piles. Your bag falls out of your arms as you murmur and fight weakly against the powder and your own weakness. Your struggle is short and pathetic as the white fades to black, the world and all your agony with it. 

💝

You cough yourself awake. Your throat feels as if it’s lined with shards of glass. You groan and chatter as a chill washes over you. Your arms are heavy as you drag them up to hug yourself in an effort to ward off the cold. 

There’s a tug on your wrist as you do. Your lashes flutter and your head lolls as you raise your hand shakily. The leather cuff below your hand blurs in your hazy vision. You pull again, the resistance enough to deter you. What is that? 

You cough and use your other hand to wipe your nose. What’s going on? What happened to you? You just wanted some relief and now... 

You remember falling. Did you trip? No, something knocked you over. You’re sure of it.  

You wince and force your eyes open, even as they ache. You peer around the dim space. You lay on a thin mattress on a metal frame. There are two pillows, one under your head, another beside you, a grey duvet over you, and that cuff on your wrist. You lift your hand again and examine the chain attached to it. It trails over the edge. 

What the fuck? You’re too sick to even think about trying to get it off. Your eyes scan the shadowy walls, your scalp slaked in cold sweat, and you shiver again. There’s an electric heater glowing orange like the doorway to hell in the corner of the room, and a folding table shrouded in the dim. 

All this because you wanted some cough drops. You shake your head, sending another echo of heaviness through it. You whimper and try to touch your temple, the attempt drawn short by the restraint. 

“What’s wrong with you?” The voice is like gravel. 

You flinch and lift your head, searching the room. Something shifts in the corner and the figure steps closer, his silhouette just discernible against the dark. You scoff and send yourself into a hacking fit. What a stupid question. 

“I’m... sick,” you rasp. 

He’s silent. He moves around as you try to see him clearer. He goes to the table, still nothing more than a fuzzy blob to you. Something crinkles as he bends and he hauls up the paper bag onto it. He peels open the tear in its side. 

He turns and hesitates. He comes around the foot of the bed and the heater gives light to his features. You see him clearer as the single metal lamp next to you illuminates him completely. His features are sharp and stony, his expression emotionless. He holds out the pack of cough drops, almost cluelessly. 

“Will this help?” 

You frown. You sigh but it catches in your scratchy throat. You reach for the lozenges. He lets you take them. He watches you tear open the package and then unwrap one of the drops. You shove it in your mouth and groan. 

“Do you feel better?” He asks. 

You squint at him, “not really. They’re just menthol... for my throat.” 

“Oh.” 

What’s wrong with him? Hasn't he ever had a cold? Bigger question, why did he bring you here? 

“I’m not going to hurt you,” he says as if he can read your mind. You can’t help but show your discomfort. “I could but I won’t.” 

You frown at him. Did he have to say that? 

“You’re sick.” 

You nod. 

“And alone.” 

You don’t move. 

“My family--” 

“You said you couldn’t go this year. Too expensive to take the train.” 

You snap your teeth shut. How does he know that? You look down at your wrist. He does too. 

“It’s for safety,” he explains but that doesn’t make sense to you. 

“Why...” you begin the question but can’t decide which one would get the right answers. Probably none of them. 

“Take another,” he points to the cough drops. You’re still sucking on the other one. You shake your head and drop the pack on the blanket.

“Won’t help,” you croak. 

He blinks and his blue eyes round, “what will?” 

You just stare at him. You’re half-sure this is a demented fever dream and you’re currently face down in the snow, slowly sinking into hypothermic delusions. He twists on his heel and marches away. He grabs the bag, cradling it to keep the contents inside, and you brace yourself as he comes back your way. 

He puts it on the bed and sifts through. He holds up the large bottle of orange electrolytes. “It’s for babies.” 

You push your elbows into the bed and sit up. He shifts closer. “You should relax.” 

“I can’t,” you say hoarsely and reach for the bottle. “Elecrolytes. Help...” 

“Keep you hydrated,” he finishes. “Makes sense. What else?” 

He reaches inside and takes out the vapour rub. He examines the tin. He untwists the lid and gives it a deep sniff that makes his eyes water. 

“Stinky.” 

“Here,” you reach for it but he keeps it away from you as he reads the tiny writing on it. “Spread across chest...” he mutters as he reads then his eyes flick to you, “take your shirt off.” 

“What?” You exclaim then cover your mouth as you cough yourself halfway into oblivion. 

“I’ll put it on for you. Like it says.” 

“I can do it...” your voice crackles. 

You don’t have time you react as he reaches for you. He shoves the blanket down then tugs on your sweatshirt, drenched in your feverish excess. You squeak but can’t resist him. He strips it over your head as you writhe helplessly. 

You cross your arms over your bra as he pushes his fingers into the menthol rub. As he extends his hand towards you, you shy away. You crush the pillow as he presses his fingertips to your skin and smears the cream over your skin. Your heart is pounding. 

“You shouldn’t be afraid,” he says as his touch lingers and he brings his hand down to feel your heartbeat. “I’m taking care of you.” 

You furrow your brow and stare at him, in confusion, in horror. You have no idea who he is or what he wants, at this point, you’re rooting for the flu to win. He slowly peels away his hand and caps the tin. He turns and searches around, dissipating back into the shadows. 

He re-emerges as he wipes his fingers. He watches you from the foot of the bed as you grab your sweatshirt and pull it back on. He grips the two fingers he used to apply the cream and twists his fist around them and the cloth. 

“Are you better now?” He asks. 

You close your eyes and sink back into the bed. You can’t. You don’t have the energy for this. 

“Not yet.” 

“Oh...” he utters as he looms still. “Well, when you are, let me know.” 

You snort. The way he speaks, the way he just stares, it’s like he’s missing something. It’s just as scary as the cuff on your arm. 

You open one eye and find him still there, watching. 

“God.” He says. You open your other eye and tilt your head.  

“God?” You repeat. 

“That’s me.” 

You drop your head again and exhale. Right, so, maybe you are dead. 

[directdogman]

Dialtown is the most USA-core game I've ever played. It's so fucking American that it's scary, and I've lived there my entire life! Like, this feels fundamentally tied with the game's themes and narrative, that's how extreme it is. And it's not even alienating OR nationalist?? It makes such genuine commentary? And then there's so much other shit to think about too; Dialtown has a very real identity outside this that anyone could love?

One: I am VERY impressed that you have done the USA and its people this well. I am actually astounded, bewildered, and chuffed. I've never felt so seen by a video game, culturally-speaking. I didn't even know there was a culture to see.

Two: WHY did you do that. Dialtown is like USA Culture Absurdified: The Visual Novel. What drove you to make a game this rich with American culture and ideas???

Hello!

It would've been odd for an outsider (non American) who enjoys reading up on history to make my setting nationalist or alienating. America is a country with a lot of serious issues. You can't really study how America is (and has been) internally run without facing glaring and obvious systematic issues. DT's setting is one of scarcity and most of the main characters you follow in DT are kinda just scraping by without much hope for true mobility/advancement. A lot of Americans (especially younger generations) would agree this sorta encapsulates the national mood of the country right now.

Of course, the systems that run a country don't define its citizens - many of the finest people I've ever known are American and are victims of the whims of those with power, not willing participants in this system. I could be wrong, but that's why I think the setting connected with a lot of people. We all know Randys, Olivers + Karens, people who've fallen through the cracks in some way. To them, America's spirit of self-determination isn't about individual identity - it's more "you're on your own."

Why I chose to set DT in America would be a novel length answer in of itself, but it mainly came down to history + narrative opportunity. I wanted to set the game in the epicenter of where the phone-revolution came from and Crown likely couldn't have pulled his plan off anywhere else and probably not during any other time. It had to be 1960's America.

Of course, some parts of DT are sorta universal and were inspired by the the Great Recession and what followed. I remember there was an area not that far from my house that was full of green fields when I was born and when I was a kid (and when real estate boomed), stuff started being built there. Parts of it looked really nice, not quite like anything nearby. Like the future was coming. Then the economy crashed and stuff was left sitting there, half-built for like a decade. Skeletal, unfinished buildings. DT is much the same.

There's a feeling that the city could've been something better and while things could be more equal, it does feel like there are no easy solutions to fix everything - unless someone very smart and determined somehow bypassed every safeguard that was set up to halt radical change and enacted a genius plan to somehow eliminate scarcity. It happened once and might never again.

I don't think most people understand the intricacies of stuff like global commerce all that well (myself included), but when you're sitting looking at a half built neighbourhood mere hours after speaking to a friend who just kicked out of rented accommodation and doesn't have a stable family unit to fall back on, you'd have to be a real dolt not to understand that things aren't great right now. Most people are scraping by and feel if they could just get affordable housing locked down, if they had maybe one good opportunity - maybe there's hope that things could change for the better.

The end of DT isn't really utopian, things don't massively change for the better and indeed, the town has a lot of rebuilding to do. But, a collection of lonely people are now looking out for each other and through the relationships they have, now feel like they have a place in this world. That no matter how bad things really get - they aren't truly by themselves anymore. Most individuals don't have the means to significantly advance change on their own - but you can live your life, love those around you and support others and plan for when the opportunity to affect change comes about.

I guess that's what life is, in America or anywhere else. Sorry I rambled for so long. Hope this answered the question!

[lullabyes22-blog]

First of all, I just wanted to say how much I love your Arcane fics. I’ve been following FnF since I stumbled across it at 10 chapters long, and it’s been a wild ride since! Like a lot of people I’ve been all over the place with my feelings regarding season 2, but as far as I’m concerned FnF is my season 2 (and 3, 4, etc.) lol. You’re a gift to this fandom. Thank you for sharing your brilliant mind and imagination with us readers ❤️

You’ve answered some what-if asks and shared other Arcane thoughts on this blog before, so I have two questions for your consideration, but no pressure to answer either of them!

1. As a fellow writer, I’m in awe of the scale of FnF and the amount of planning/outlining that must be involved—HOLY SHIT! Are there any elements of s2 that have inspired you as you continue to write FnF? Have you considered adapting any s2 elements into later chapters (beyond what you’ve already predicted), or have you held fast to a specific Vision throughout the duration of this writing project?

2. Not sure if you’ve been asked this in the past, but what the hell would a living Silco’s reaction be to Vander’s hellish resuscitation as Warwick, assuming he isn’t immediately mauled in a confrontation?? Is Singed (assuming he’s the culprit) definitely fired??? This feels like such a MESSY terrible horrible no-good very bad situation for everyone involved lmao, and I would love to know your thoughts.

Aaaaah thank you so much! I'm super happy you're enjoying the story! I've been having a lot of fun with it, and I'm glad so many other folks are having fun with it as well <333

Also deeply honored you'd consider FnF in any way adjacent to canon material; that means so much T_T Especially since my own feelings on s2 are pretty mixed, and I'm not really sure what I would even do with those ideas, except maybe throw them out as a one-shot sometime down the road.

1. In terms of the s2 inspiration, I will say I was not the biggest fan of the plot's coherence/cohesion as a whole (too much stuff going on in too little time, too many threads left dangling etc). However, I was very gratified by the thematic journeys of the characters in S2, as in FnF they're actually following a similar trajectory (except for Silco who is, well, dead), and a lot of the same conflicts and themes are coming up. There was a happy sense of vindication that came from that, like, "Oh, so this was actually important, and not just me making a fanficcy mountain out of a molehill."

I will say though, that FnF has its own pretty airtight-ish plot, with many aspects already sketched out in advance, so I'm not going to go re-plotting things to match s2's direction unless and until it becomes necessary. In some ways, tbh, there's a sense of gleeful overlap, as a lot of the plot beats do mirror one another. (The Black Rose make an appearance by Act VII, there's a greater emphasis on magic and high fantasy going forward, Jinx is in the grip of an identity/existential crisis and Vi is stuck at a crossroads, Jayce has become disillusioned and split with Mel, Viktor has retreated underground and will be withdrawing deeper into his work, Ekko will be the one to snap Jinx out of a critical juncture and save Zaun in the long term, Sevika will take a greater leadership role etc...) All of the parallels if not the outright similarities were pretty satisfying.

As for how that's manifesting, a lot of the major developments and character arcs going forward are largely set in stone, but I do have a few key S2 events/details I've been mulling over in the background that I can see myself weaving into the plot at some point. But the rest is probably best kept as a surprise :>

2. As for the hellish resuscitation, well, I'd be lying if I said I haven't been thinking about that one a lot hehehe...

But long story short:

Singed is 100% fired because there is NO WAY Silco would sanction such a thing - and if it occured in the FnF universe, then Singed was absolutely doing it behind Silco's back and will now face the full consequences.

 As for Warwick himself - he'd 100% retreat to Silco and Vander's little Brokeback bunk in the mines. And Silco would 100% don his old mining duds and dustry greatcoat and go looking for him, because he needs to be SURE it's not just a rumor, and also because he does, subconsciously, desperately want it to be his Vander. And Vander, who has a good measure of the old Vander's memories, and is 100% aware it's not a rumor, because hello: deranged wolfman, will 100% run towards Silco with every intention of tearing him to pieces.

And that is where the similarities end.

Because Vander is too deeply trapped within Warwick's killer shell, and is therefore incapable of having an emotional reunion with anyone, and because Silco is not an idiot and would never go into a skirmish without a loaded gun and an escape route, the end result would be bloody, messy and tragic.

Worst case scenario: both men would kill each other, and in their final death throes, find boyhood memories resurfacing. They'd die in tears, messily and bloodily entwined, but finally at peace with their own demons - which is how Jinx and Vi, teaming up similar to S2, would find them.

Best case scenario: Silco would find Warwick and be forced to try and capture and contain him. He'd enlist Sevika's help and succeed, but when Jinx finds out, she'd be appalled and retraumatized, and convinced Silco is trying to erase her dead dad and supplant him in every sense. She'd go off the rails and have a complete breakdown, and Vi would be the one she'd run to, because Vi is the only person who understands and cares. The sisters would end up teaming against Silco to try and bust WarVander out, and this would cause an irreparable rift between Silco and Jinx.

Cue mass destruction and an epic family feud.

Sevika, who'd be the only person left in Silco's circle of trust, would have to make the call to have Warwick quietly killed in order to save the city from a war, and then lie to Silco, telling him Vander succumbed to his own madness and perished. This would cause Silco's mental state to completely disintegrate. He'd lose what little sanity he had left, and would descend into a pit of guilt and grief.

 Either way, it's a pretty awful tragedy on both sides, and it would take the entire remaining plot of FnF to resolve the fallout, and for Jinx and Vi to find any kind of peace.

So you can see why I've been mulling a lot, but also left it alone haha.

But who knows?

Maybe the story will change my mind, or I'll be struck by some miraculous idea and figure a way out, though I'm doubtful.

Thanks again for the lovely words and thoughtful questions! They really mean a lot <3

[hi-i-just]

Idk, I actually kinda disagree on a whole bc tfone did kinda dodge majority of the problematic stuff that IDW introduced — like context matters in the movie

Because like Orion, who led the revolution against Sentinel? That wasn't peaceful — Orion DID use violence considering they literally engaged in battle as soon as they hit the tower (heh). Orion is not above fighting Sentinel or his forces because it's necessary, but when it's clear there's another way to resolve things that would accost less lives and damage, he took it! And he did by discrediting Sentinel throughout all of Iacon.

Whereas the scenes depicting the citizens running away from Megatron after he orders the High Guard to "burn it all down!" — it's there because it shows how Megatron's violence at that point was... Pointless. No one is standing in his way. Sentinel is already dead. Orion dumped into a hole. Heck even the Death Trackers no longer show up. If he's looking for Sentinel's supporters, he could have launched an investigation and have the High Guard hunt them down but he didn't — the first thing he does after naming himself is to destroy idols of Sentinel, and before Elita interrupts him, you can straight up see he's not shooting at any enemy that was threatening him or the citizens, but rather at nothing and anything. He used his anger at Sentinel's injustice as a blunt weapon — anyone unfortunate to be in its way innocent or not be damned.

Also, the narrative isn't saying Sentinel's life matters — on the contrary, they literally had a train crash into the guy. Orion already says it himself — "Rebuilding Iacon cannot begin with an execution". They're not saying Sentinel didn't deserve what he got, but the message of anyone with a gun can shoot someone who can no longer fight back because they're in a fit of emotion instead of having the criminal undergo any due process sends a message that "you can be executed anytime if we think it's justified enough instead of having a trial" — which just screams UNCHECKED POWER. Which doesn't bode well for a society in need of reformation. I wished every billionaire would drop dead nightly, but even I am aware that society can NOT be governed by our worst impulses. D-16 killing Sentinel when the latter no longer has any power is one such example.

Also, people may debate me on this, but apparently, the Death Trackers are drones, not Cybertronians. They may be advanced enough to emulate "sentience" but they're not really living beings by transformers standards.

Also, not sure if you know this, but like, "Rise up!" came from "Decepticons, transform and rise up!" was used as their like, slogan when Transformers Animated (2007) came out and the used in other iterations since (like Transformers Prime), coined by Animated Megatron, who mind you, was voiced by a white guy (Corey Burton).

And also like, D-16 being a villain and then being voiced by a black man is something akin to "demonising" BLM activists or whatnot just.. Doesn't make much sense because like. Jazz is voiced by a black guy and Bee is voiced by Key who is half black and they're both Autobots, or like Alpha Trion who is voiced by Laurence Fishburne and AT is solidly one of the good guys. Whereas there's like, Sentinel and Starscream, who are both voiced by white people and they're both bad guys.

Like, D-16 is straight up my favorite character because how understandable and relatable he is —I can definitely see my younger self in him and I had the same anger he did for the same reasons (it def hits harder bc I'm not white either). But also like, I don't think him being a villain despite all that makes him a problematic depiction — if anything by giving him understandable and sympathetic origins providing him complexity and depth but STILL fall into his worst flaws made me appreciate him more. It's a caution story, it's a sobering "wow that could easily have been me" story. And I love that it doesn't matter how sympathetic your backstory is — you can STILL drop into the pitfalls of being fascist if you don't choose to rise above your worst impulses. Self-awareness is an important theme in the movie too.

IDW Transformers’ take on the war and the origins of the Decepticons was one of those things that was rly thoughtful and interesting to read as a kid (so as the target demographic I guess lol) only as an adult to have some rly troubling implications like the ones you pointed out. I was EXTREMELY relieved that TF One swapped it back so that the Autobots are the low-class miners and the Decepticons were the military (closer to the original cartoon anyway) while still using the IDW comics as inspiration in other ways.

Transformers One is such a strange case for me because on the one hand, it's propaganda. I'm sorry but it's transparently propaganda, it's executives embracing IDW's attempt at "maturity" that well-intentioned or not, inevitably paints the revolutionaries as villains by having them arbitrarily blow up an orphanage, because we gotta demonize revolutionaries who use violence.

We gotta warn kids of the dangers of the violent revolution, because revolution is only permitted if peaceful! Let's just ignore what we were taught about the American Revolution... Seriously, look at the elites' response to Brian Thompson's assassination!

That being said. This is like 95% speculation. But there are clear differences between IDW and Transformers One. So to me, personally, it feels like the writers —Eric Pearson, Andrew Barrer, and Gabriel Ferrari— were aware of the issues of the IDW premise. They were given a basic outline by executives. And so they opted to smooth over the issues as much as they could, work with it, while still being stuck with that basic problem at the end of the day.

So as you've said, I appreciate Orion and D-16 being working-class bots, that they're both coming from the same place. I appreciate the framing of Orion's opposition coming from the concept of Anti-Death Penalty, that no government should have the power to execute people. I appreciate the implications of D-16 siding with disgruntled military soldiers, whose only idea of fixing society is to destroy enemies.

There's something to be said about people who fantasize purely on committing violence, without any of the actual work of rebuilding and keeping things running! That's why Orion's rebellion consists of his fellow miners. I can see the implication, that even if D-16 hadn't gone off, there would inevitably be friction between the High Guard's jingoism and the civilians when Orion reformats things, and bans the death penalty.

...But again, again! D-16 is a black man. Not literally but he's voiced by Brian Tyree Henry, anyone can hear his voice. And his chanting of "Rise up" is juxtaposed with Orion Pax, who is voiced by white MCU star Chris Hemsworth. It feels ridiculous how the movie bends over backwards to paint D-16 as evil with shots of civilians running away from the convenient collateral of his shots, but nothing like that is ever shown with our protagonists and their damage!

B slicing up other Cybertronians is treated as a gag, but Sentinel's life and death matters more than his guards' which is uh. A weird way to frame things. I guess maybe it's because D-16 is doing it out of "reckless anger" whereas B isn't trying to...? But ultimately, the violence of our protagonists is meant to be framed as out of strict necessity, which is something I have to acknowledge.

I can't say for sure what Pearson, Barrer, and Ferrari were thinking. I appreciate Transformers One for smoothing out the edges. But I can't help but see D-16 as a pastiche of BLM activists, of the UHC shooter, because he's willing to be angry and violent towards his oppressors. He's a black man who gets branded and his violence is treated as exceptional and unique because of his anger, meanwhile B's kills are a gag.

There's an irony in that Sentinel's higher-class life is treasured by the narrative, but the lives of his comparatively lower-class bodyguards are worth nothing. The pervasiveness, it felt insidious; It genuinely kept me from enjoying the final battle between Optimus and Megatron, how the narrative wants to be triumphant but the dark undertone can’t be ignored. Call me a buzzkill.

I know people think this sort of trope is meant to be 'nuanced', that it makes for a more 'interesting' villain, one you can relate to and sympathize with. See yourself in. But in the end, you can only go so far in "reclaiming" a stereotype. You can't be in utter denial of the subtext and intention behind it. You can't claim this is actually good writing, I thought we were liking these villains out of spite, not in support of a narrative we think is secretly on our side too!

That executives need a revolution story where the ultimate villain who causes even more violence in the long run is, GASP, a revolutionary who shows people like them no mercy, is telling. There can only be a revolution in media if it shows the elite being deliberately spared at all costs, even to the point of Orion sacrificing his own life (Even if for D-16’s soul), while their own workers like those bodyguards are just fodder.

G1 was not the pinnacle of Leftist media but it was also inoffensive and knew what it was. This is… different.

[sonknuxadow]

so the filming for sonic 3 is like completely done now ? even the scenes with only cgi characters ? and still no shadow reveal ? okay

[platonic-qpr-selfshipping]

there goes my chance to sleep a decent amount of hours ig, why did i think it was a good idea to try drink tap water again just because everyone else did lmao

may play some honkai just to see bro heng

[end-orfino]

ahhhhhh i remember why i dont read comics & books and watch movies as much as I should. Because they make me lose it

[darabeatha]

[bikananjarrus]

updates from the land of the ahsoka show tv spot nonsense (aka i have got to stop fucking watching these bc i’m just going into these little rage spirals)

(sorry in advance, this got kinda long.)

from the master & apprentice tv spot:

first we had this from kathleen kennedy

and while i get she was probably going for the ‘rosario is a good actress and we don’t think any other actor could play ahsoka in live action’ sentiment, it just comes off as SO dismissive of ashley eckstein’s work as ahsoka.

ashley isn’t featured in this video at all, and there’s really only one mention of her doing “great work” as ahsoka in the clone wars. much more emphasis was put on filoni and his work bringing the character to life, and his journey with the character. (as a writer he should get credit for his work writing the character, but none of that writing would’ve been brought to life without ashley).

this just feels like such an insult to ashley, who recently just talked about how much backlash she got when ahsoka first came on screen. she had to deal with so much hate, and it just feels a little ick that they’re still hardly talking about her in these behind the scenes videos. (and the additional ick about rosario’s ahsoka getting so much attention and praise, and how that ties into live action being valued over animation, but that’s a separate rant).

AND THEN, there’s this nonsense from filoni:

i just. where do I even begin with how much i hate the integration of sabine into this lineage?

i’ve talked a bit about it previously, but i just don’t understand the angle of making sabine (who is a mandalorian and very proud of it!!!) into a jedi apprentice!!! and i hate this angle! i don’t see how this will help sabine grow and develop—she’s already a incredibly well-trained warrior, including lightsaber training! because KANAN TAUGHT HER!!!! will she ever be as good as anakin or ahsoka or other jedi? no. But she doesn’t need to be.

and wielding the darksaber in the first place wasn't even really about learning how to use a lightsaber for the sake of using a lightsaber, or because sabine secretly wanted to be a jedi. kanan taught her how to use it because he and fenn rau knew she would be challenged once other mandalorians saw her with it. and they were hoping that she could help unite mandalorians, but other mandalorians weren't going to respect her if she couldn't hold her own with the lightsaber.

and if this is some weird way of trying to have sabine carry on the legacy of kanan and ezra, this is a dumb way to do it. there are plenty of other ways she can honor them (the huge beautiful mural she painted on lothal, for one! protecting lothal in general! And uhhh finding ezra?? instead of filoni saying she stuck around lothal the entire war???). and also, by tying her "jedi training" to ahsoka, that's not really honoring kanan and ezra, because they were part of mace windu's jedi legacy, NOT anakin's! (well, yoda's, but you know. for the sake of that quote from filoni, anakin's).

not everything has to be about anakin's lineage! but filoni is making it that way. this jedi training isn't about sabine, it's about ahsoka. and if he's trying to say something about ahsoka suddenly being a teacher, or what her being a teacher says about her past with anakin, i highly doubt he will do it in a way that's interesting or true to the character, because for filoni, ahsoka always has to be perfect and can do no wrong. and yet, even though she refused to teach grogu because of his attachments to din, she's suddenly super okay with teaching sabine, who has way more attachments than grogu??

like if filoni REALLY wanted ahsoka to be a master so badly, jacen syndulla, an actual force sensitive child, is right there. (though, he absolutely should be taught by ezra bc shatterpoint lineage rights).

and if filoni tries pulling some bullshit about how sabine was force sensitive the entire time, that's an insult to sabine's character, and it's a HUGE insult to kanan, who absolutely would have noticed that she was force sensitive.

it just feels like a back-handed way to say that sabine being just a mandalorian isn't good enough (and god forbid we have more than one major mandalorian character in the star wars franchise who isn't din djarin), and that kanan and ezra aren't good enough, it has to be ahsoka that teaches sabine. i already don't have faith that sabine's mandalorian family will get mentioned a whole lot, if at all. and now with her training to be a jedi, it just feels like they're trying to abandon her entire culture. not everyone needs to be a jedi, and not everyone needs to be force sensitive, and not everything needs to be about ahsoka.

and again, i absolutely have nothing against ahsoka as a character. (i don't like rosario's portrayal of her, and don't even like rosario.)

but dave filoni is starting to beat the dead horse by constantly having ahsoka in new star wars media (probably unpopular opinion, but i think ahsoka should've died on malachor like she was supposed to and should never have been brought back by ezra in the WBW. but that's a separate essay).

so now, in what should have been an (animated) rebels sequel, ahsoka is the star. and the rebels characters are going to get the short end of the stick, as usual.

[alisaint]

i feel like sometimes (many times) people get realism / "if this were to happen to a real person in the real world context, then this character would experience and grapple with x, y, z" mixed up with text / what that character is actually going through in the story which is always going to be constrained by time, space, and the creator's biases and experiences

[invinciblerodent]

sick to my stomach with the realization that Petyr would absolutely call Shadowheart "babe" or "baby".

and what's possibly even worse is that beneath the first layer of snark, she might even like it.

disgusting tbqh (/lie)

[designernishiki]

I think I’ve said this before on here but. it really baffles and somewhat annoys me sometimes how people hear that a character is in their 40s-50s and immediately assume they should be weak or feeble or less attractive than they are. like. no. i think everyones just been brainwashed to think that attractiveness/health/worth is determined by how young someone is. why is it more understandable to view a teenager as more attractive and capable than a fit 40-50-something year old. kinda wack

[shen-daozhang]

something something the way we talk about women characters who are manipulative and selfish and hurt others versus the way we talk about male characters with the same traits and actions something something

[sylhea-raemi]

next shiraishi an event is gonna be bout for beside you part 2 with worse trust issues (thanks ken), worse abandonment issues, worse inferiority feeling

[bigweldindustries]

going through the hades 2 stuff and im sorry but i just have to ramble a second because look at Hephaestus

he's not just a wheelchair user but also an amputee. an above knee amputee. wheelchair users are already next to nonexistant in video games but amputees exist in this really...disheartening? spot where they're pretty much just reduced to "person with a cybernetic limb" - it's always just somewhere from "just a cool visual design" to flat out "superpower". I can't think of a video game amputee that is actually disabled by their limb differences - I'm all for futuristic worlds where prosthetics and other disability aids are far advanced from what they are now, but that's not really what's implied by these designs. They're just... Cool designs that in no way reflect on the real-world experience of being an amputee.

Look at Hephaestus, though. Look at that prosthetic. Whilst stylised it very much looks like it functions like common mechanical knees - knee bends when thigh is lifted, knee straightens when thigh is lowered. He's a wheelchair user as well as a prosthetic user - every prosthetic user I know is also a wheelchair user as a prosthetic is not usable in every occasion and also cause exhaustion and pain if used constantly.

Whilst we can't see much of his wheelchair the position he's sat in and the wheels very much evoke active wheelchair to me - this carries on to very specifically the thickness of his arms. Whilst a lot of Hades designs are muscular Hephaestus has very noticeably thick arms - which makes sense, as active wheelchairs require a lot of arm strength.

Just overall this design is making me want to cry - he's not just an actual wheelchair user in a video game, he's a realistic depiction of an amputee, a disability usually brushed over in order to give a character a fun design quirk and nothing else. He's fat and he's hot and he's a realistic depiction of an above knee amputee. Oh my god. Oh my god?